Concrete by Thomas Bernhard

“Did I drive them away, all these people, or did they withdraw from me?”

 

John Self   in the Asylum loved Thomas Bernhard’s Old Masters while Tom at a Common Reader found it pointless. I wondered how I would feel about Bernhard and when the chance came to review Concrete , I grabbed it. Full review over at Mostly Fiction.

I’m not going to repeat the review, but I will say that Concrete is the closest thing I’ve ever read to the first section of Dostoyevsky’s Notes From Underground. Concrete (and the meaning of the title is horribly obvious by the end) is a 156 page rant narrated by a forty-five year old man named Rudolph who lives in Peiskam, Vienna. He suffers from sarcoidosis and is hopped up on prednisolone. Rudolph is the ultimate procrastinator who blames everyone else for his lack of progress on his masterpiece about Mendelssohn Bartholdy. Anyway for the full review go here.

Notes from Underground is wonderfully described by translator Richard Pevear as the “dialectic of isolated consciousness.” Thomas Bernhard’s Concrete is another example of  the “dialectic of isolated consciousness,” and by  its fundamental nature such a dialectic is contradictory, logically flawed, and repetitive.  How can 156 pages of bitching and complaining be so funny? Here’s Rudolph ranting about dogs (btw, this is mid-rant; he’s already been at it for about a page when this quote takes place.)

People keep a dog and are ruled by this dog, and even Schopenhauer was ruled in the end not by his head, but by his dog. This fact is more depressing than any other. Fundamentally it was not Schopenhauer’s head that determined his thought, but Schopenhauer’s dog. It was not the head that hated Schopenhauer’s world, but Schopenhauer’s dog. I don’t have to be demented to assert that Schopenhauer had a dog on his shoulders and not a head. People love animals because they are incapable even of loving themselves. Those with the very basest of souls keep dogs, allowing themselves to be tyrannized and finally ruined by their dogs. They give the dog pride of place in their hypocrisy, which in the end becomes a public menace. They would rather save their dog from the guillotine than Voltaire. The masses are in favour of dogs because in their heart of hearts they are not prepared to incur the strenuous effort of being alone with themselves, an effort which in fact calls for greatness of soul. I don’t belong to the masses, I’ve been against the masses all my life, and I’m not in favour of dogs. What we call our love of animals has already wrought such havoc that if we were to think really hard about it we should be positively frightened to death. It isn’t as absurd as it may first appear when I say that the world owes its most terrible wars to its rulers’ love of animals. It’s all documented, and one ought to be clear about it for once.

There’s about 2 more pages ranting about dog ownership.

Here’s another quote mid-rant about a sortie Rudolph made into society with his sister. His sister  announces to the “assembled company” that Rudolph is writing a book about Mendelssohn:

This evoked uproarious laughter from all these brainless people sitting in their repulsively soft armchairs, and one of them, a specialist in internal medicine from the neighbouring town of Vocklabruck, actually asked who Mendelssohn Bartholdy was. Whereupon my sister, with a devilish laugh, blurted out the word composer; which brought forth yet more sickening laughter from these people, who are all millionaires and all brainless, among them a number of seedy counts and sterile barons who go about year in and year out in leather shorts, the stench of which has been building up for decades, and occupy their pathetic days with gossip about society, illhealth and money.

Rudolph never stops. He’s always ranting about something, moving seamlessly from one rant to another. If you were trapped in a corner by this person, the rant wouldn’t be funny–it would be rather alarming, but here it’s funny. After ranting, repetitively (as ranters are wont to do) about whether or not to go on holiday Rudolph describes himself as “a man of quick decisions”  and when there’s a slight delay in his plans, he notes to himself: “A damper has been put on your murderous impetuosity.”

If this is typical Bernhard style (and from reading other reviews, it sounds as though it is), as much as I loved Concrete I won’t want to read another novel too soon. To do so would be to spoil the flavour of Bernhard, and it’s probably time to step away from the loony. That said, The Lime Works will be my next Bernhard. It sounds even more demented than Concrete, if that’s possible. Now I’m ready for something completely different–a very rational set of essays about George Orwell.

My review copy is from Vintage with a translation from German by David McLintock.

About these ads

8 Comments

Filed under Bernhard Thomas, Fiction

8 responses to “Concrete by Thomas Bernhard

  1. Pingback: MostlyFiction Book Reviews » CONCRETE by Thomas Bernhard

  2. Ranting’s contagious. I caught it from Rudolph.

  3. It sounds rather like Old Masters but you made rather more of this one than I did of Old Masters. The problem I had was that I found myself adversely affected by the stream of negativity and founds myself slightly depressed at the end. I confess to rather sharing the character’s views on dog ownership however!

  4. I love the quotes, it’s so funny.

    This kind of ranting reminds me of A Conferedacy of Duces, by John Kennedy Toole, a book I liked a lot.

    Do you know the French humorist Pierre Desproges? He could have written something like that about dog owners.

    • I haven’t read The Dunces book, and neither have I heard of the humourist. Two more things to explore.

      Yes the book had me laughing out loud at points. When I read the guillotine comment about Voltaire, I laughed, as I identified with that. Guilty as charged.

      It amused me to flip ahead through the book–sometimes 10 or 20 pages and find the character still complaining about the same non-issue.

  5. Tom: I have a sneaking suspicion that this is Bernhard’s style, and the difference may be just the rant (subject at hand). Perhaps Concrete had a bit more freedom at play because the character eventually travelled and wasn’t stuck complaining in front of a painting. But as I said in the review I wouldn’t want to read another in quick succession.

    The comparison with Dostoyevsky’s Notes From Underground helped me a great deal. I’d read The Demons which was wonderful but for me, full of dread, so I wasn’t prepared for the humour in Notes from Underground. The two characters in each book have a great deal in common–self imposed isolation and a general fear of ‘the masses’. At the same time they each have these rather elaborate theories about everything, and they bitch exhaustively.

    I thought it was significant that Rudolph couldn’t/wouldn’t even own a dog. After all many people who live in isolation (by design or otherwise) establish close bonds with their dogs, and need no other companionship. I took it that Rudolph couldn’t EVEN have a relationship a dog who asks very little in return (I am a dog person).

  6. Pingback: German Literature Month in November: my selection « Book Around The Corner

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s