Bea Davenport’s novel This Little Piggy, set in the north of England during the ’84 miner’s strike, begins with the discovery of a horrible crime. On Sweetmeadows, a cheap, “mould-ridden” slum housing estate earmarked for destruction the body of a baby boy is found dumped near the rubbish bins. The baby belonged to “one of the Sweetmeadows’ rare two-parent families, the Donnellys.” Four months into the strike, Robert Donnelly, a miner, has returned to the mines as a scab. With the family already the target of harassment, Donnelly’s mother is certain that the murder of the baby has been committed by some striking miners, but Robert argues that the miners are his “mates” and that they’d never hurt a child.
Local reporter Claire Jackson, reeling from a personal tragedy and passed over for a promotion, throws herself into the case. She befriends an eight-year-old girl named Amy who lives near the Donnellys and who claims to have vital information about the baby’s death. Amy, an intelligent, yet feral child, lives with her single mother Tina in filth and squalor, and is often left alone without food for days at a time. The police dismiss the child’s story as fabrication. Claire, intrigued by the case, and drawn to Amy, becomes involved in investigating the crime, and she also finds herself selected by the miners’ organizer, Finn, to attend miners’ benefits and activities in order to counter the overwhelming negative press the miners are receiving.
Author Bea Davenport does an excellent job of creating a crime set against the tense backdrop of the miners’ strike. The Sweetmeadows Estate is considered dangerous both by the police (who tend to avoid the place if they can) and by any outsiders. Yet the people who live there seem to share a bond that goes beyond socioeconomics. Claire finds herself caught in the crossfire–she’s a journalistic advocate for both the miners and the residents at the Sweetmeadows Estate, but is she becoming too involved as her fellow reporter, Joe claims? Claire counters that perhaps it’s time to pick a side:
Don’t you ever get sick of pretending that you’re not quite part of humanity, you’re just someone who stands on the sidelines and takes notes?
As the murder investigation continues, brutality emerges from the police towards Sweetmeadows residents, and with the strike continuing, violence towards the miners also escalates. According to the police, the Sweetmeadows Estate is a “tinderbox. It’s a riot waiting to happen,” and the actions of the police during the investigation ignite an already tense situation. But according to the Sweetmeadows residents, the police aren’t exerting every effort to find the real killer:
“That’s the trouble with living here,” the first woman went on. “you get branded. If it was some posh couple’s baby, the police wouldn’t drive the mother to her grave by making out it was here that did it. And if anyone else complains about the police they have to sit up and take notice. But when it’s Sweetmeadows, it’s just, oh, it’s that lot again. They call us swine and treat us like rubbish. Bastards.”
As tensions rise and violence explodes, Claire finds herself in an increasingly dangerous position, and even though she thinks she’s taken a stand by showing support for the miners and the residents of Sweetmeadows, Claire, a sympathetic and charismatic character, must ultimately make a moral choice she didn’t anticipate.
As a crime book which explores class, alienation and the murky political complexities of the times, This Little Piggy succeeds. We see that life on Sweetmeadows is like life on an alternate universe; you can’t appreciate its nuances unless you live there, and even Claire, a frequent visitor to the estate, is ultimately an outsider. A minor quibble from this reader involves an incident between Amy and Claire towards the end of the book which jolted me out of an otherwise tense, compelling and wholly believable story.