Executive Suite: Cameron Hawley (1952)

Competence is a whip in the hands of a taskmaster,  and the lash cuts all the deeper when the whip is held by a perfectionist.”

Cameron Hawley’s novel, Executive Suite, a story of ambition and workplace politics opens in New York with the unexpected sudden death of 56 year old Avery Bullard. Bullard, who’s in New York to eliminate a man as a prospective executive vice president for the Tredwell Furntiure Corporation, suffers a cerebral hemorrhage and dies in the street as he is about to enter a cab. The man who was interviewed for the job witnesses the death and immediately dumps his stock in the Tredwell Corporation, and at the same time a woman passer by picks up and steals Bullard’s wallet. Bullard’s last act was to wire his secretary and order an emergency meeting of his five vice presidents so while the police in New York try to discover the identify of the dead man, back in Millburgh, Pennsylvania, at the Tredway Tower, the corporation’s company headquarters, the five vice presidents are supposed to dump their plans and prepare to gather together.  Everyone involved knows the meeting is to announce the new executive vice president, so no one can refuse. The last Executive VP died of a heart attack a few months before and the seat has been naggingly vacant ever since. The question on everyone’s mind is : who will Avery Bullard select? While the five men mull over their positions, we readers know that Bullard is dead and the bigger question is who will take over as the new president?

Loren P. Shaw: Vice president and Comptroller-ruthlessly ambitious, and of all the five vice presidents, his mask “was the best.”

Jesse Grimm: Vice President for Manufacturing: “his one weakness … demanding perfection from his machines but too quick to excuse the lack if it in his people.”

Fred Alderson: Vice President and Treasurer. The oldest of the vice presidents, he’s due to retire in 4 years.

J. Walter Dudley: Vice President for Sales–“practiced master of the art of winning quick friendships.”

Don Walling: Vice President for Design and Development. The newest of the five vice presidents. A self-made man ‘discovered’ by Bullard

The story goes into the minds of each of these men as they contemplate who will be selected as executive vice president, little knowing that with Bullard’s death, the stakes have drastically changed. Through these different minds, author Cameron Hawley explores just what work means to each man. Jesse Grimm, for example, no longer feels any satisfaction from his job and he has plans to retire imminently. J. Walter Dudley has recently found new zest in life through a no-strings relationship with a furniture shop owner, and Alderson thinks he deserves the executive VP spot since he’s been there the longest. Of course, the great irony is while the 5 VPs scramble around in various power plays assuming that the stake is the Executive VP spot, with Bullard’s death, the stakes have suddenly become much greater.

executive suiteAvery Bullard is, of course, absent after page one, but his presence dominates the lives of everyone who knew him. Originally a furniture salesman, he salvaged the Tredway Furniture Company from bankruptcy after the suicide of its founder and eventually merged seven other furniture companies which then formed the Tredway Corporation. He was a remarkable man who spent an energetic lifetime building his corporation while discovering and mentoring people. VP Don Walling was ‘discovered’ by Bullard, and it’s a debt Walling thinks he can never repay. Even Tredway’s largest stockholder, Julia Tredway Prince owes a tremendous debt to Bullard’s willpower and generosity. A few minor characters also exist to show what a powerful personality Bullard had–there’s loyal secretary, Erica Martin–“always in the bufferland between Avery Bullard and his vice-presidents,” and even an elevator man who’s devoted to the company president. But while Bullard demanded total and complete loyalty from his employees, some people–usually the wives, resent Bullard and his domineering presence in their lives. Mrs Alderson, for example, dreads the idea that her husband may become executive VP as she feels that she has already ‘lost’ her husband to the company. They live in the old Bullard home, a house she hates, because, according to her husband, “Mr. Bullard thinks it’s what we should do.”

But even the house, bad as it was, had not been the worst thing that Avery Bullard had done to her. Put in its simplest terms–and all of the years of loneliness had given Edith Alderson plenty of time to reduce everything to the simplest of terms–Avery Bullard had taken her husband away from her. He had turned her life into a meaningless sham of being married to a man whose first loyalty she could not claim.

This is very much a novel about American business. In some sense, Executive Suite reminded me of John O’ Hara’s Ten North Frederick–the story of Joe Chapin, a lawyer who is already dead when the novel begins, but whereas Joe Chapin was ‘steered’ through mediocre life by class, Bullard, a titan of industry, definitely created his own fate.

In its depiction of ambition, back stabbing office politics, and the issue of balancing home life with career, the book is relevant today. The novel can be faulted for its depiction of the female characters, but this is inevitable since this is a book about men and their careers while the wives linger in the sidelines. At one point, Walling praises another woman, glowingly to his wife, saying that she ‘thinks like a man,’ while another wife remembers only those people who’ve come to dinner, and she can recall the menu served down to minute detail. In this novel, Hawley asks some big questions: what do men ‘get’ from their careers, is it possible to balance work and home and still be successful, and what exactly brings job satisfaction? One character discusses compartmentalizing work and home and there’s the idea that one of the reasons the divorced Bullard was so admired was because he seemed to have achieved something with his life that other men envied. Ultimately, the novel argues that emotional choices in the workplace must be overridden by rational decisions; we don’t necessarily have to ‘like’ those we pick for the job.

I read some descriptions of this book as a page-turner. I found the book slow-going and it seems best read in big chunks rather than picking it up and putting it down as there are a lot of characters to keep track of here. One final thought–books written today about career and the workplace environment seem much more cynical. We see workers, anonymous and replaceable in a large corporate setting, doing anything but work. Thinking here of Apathy and Other Small Victories by Paul Neilan.

Cameron Hawley (1905-1969) also wrote the novel Cash McCall which was also made into a film.

Review copy

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8 Comments

Filed under Fiction, Hawley Cameron

8 responses to “Executive Suite: Cameron Hawley (1952)

  1. I noticed that this was a review copy, so does that mean it’s being reissued? If it is, I would say they have made an error with the cover, because it automatically makes me think, hmm, all the executives on the front cover are men, how out of touch for a contemporary novel…
    Because they’ve covered up, with the title banner, the men’s haircuts which would otherwise alert the browser to the fact that this is a classic novel from another era.

  2. Even before I read your comment that it was slow-gowing, I thought this miht not be for me.
    I still haven’t watched Mad Men. I was always convinced I would hate it but since you and Jacqui enjoy it – I might be prejudiced.

  3. Just before the paragraph about women, I was thinking there was no female VP. But then, given the times, it’s not suprising. (not that you’d find a lot of female VPs or board members today)

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