Hush, Little Bird from Australian author Nicole Trope brings together two vastly different narrative voices that are tied together by place (a low security women’s prison) and their shared pasts. One of the voices belongs to a 33-year-old woman nicknamed Birdy by her fellow inmates for her knowledge and love of finches, and her job at the prison is to maintain an aviary of Gouldian and Zebra finches. Birdy is someone we would describe as ‘slow’ and although she’s separated in prison from her small daughter, she has managed to establish a firm place for herself amongst the other inmates. There are four women to each bungalow, and one of Birdy’s housemates, the very tough Jess, has taught Birdy how to manage her violent temper. It’s also through Jess that Birdy learned the word “agenda,” and now that a new prisoner is about to arrive, Birdy understands that she has an ‘agenda’ to complete.
I learned that word from Jess. She told me an agenda is a plan that you have to keep secret. Sometimes your agenda can make you do things that no one else understands. Whenever anyone is cranky with her, Jess says, ‘Tell me, love, what’s your agenda?’
What’s your a-gen-da?
The new inmate is a wealthy woman in her 50s, Rose Winslow; she’s the mother of two adult daughters, Portia and Rosalind, and she was married, for 40 years, to Simon, an “icon” of Australian television. Most of the other inmates have been transferred to ‘the Farm’ for their extended good behaviour at other institutions, but Rose’s lawyer managed to pull some strings to get her sent there while he lodges an appeal.
When the novel begins, we don’t know the details of the crimes Birdy or Rose committed, but we’re told that Birdy is there for some act of violence and that Rose claims that whatever she did is ‘an accident.’ While Birdy recognizes Rose, and plans some sort of terrible revenge, Rose, due to the passage of time and Birdy’s weight gain, doesn’t recognize Birdy. These two women’s stories are gradually parceled out in alternating chapters with tension created by Birdy’s ever-encroaching plan for revenge, and the gradual revelation of each woman’s past.
This is one of those books where to discuss the plot will ruin the experience for other readers, so that’s as far as I will go. As always with alternating narratives that form the novel’s central puzzle, the author must balance tension with information. Sometimes this structure, especially when the reader is deliberately thrown red herrings, can be annoying. Here, in author Nicole Trope’s hands, the structure worked well. The biggest problem I had to overcome as a reader was believing that Rose wouldn’t have pulled out all the stops when it came to her murder trial, but then this book, while it is the story of two women, is fundamentally Rose’s story–how she must come to terms with not just some horrible truths about her life, but also some ugly truths about her passivity, her malleability, her gullibility.
“hindsight–oh, the delights of hindsight–“
This book was recommended to me by Kim at Reading Matters, and her review is here