“Of course it couldn’t be murder. Not in Gunnarshaw.”
When the body of married woman, Amy Wright is found in her gas-filled home, everyone in the small Yorkshire town of Gunnarshaw assumes it’s a case of suicide. After years of nursing her ailing mother, Amy, a woman in her 40s, married a man many years her junior, a ne’er-do-well and a known womanizer. The consensus of the town is that Amy’s death is the sad conclusion to a bad mistake. Everyone from the police surgeon to Inspector Mole tells Sgt Cluff that Amy’s death is sad, yes, but nothing to get worked up about. But Sgt Cluff, a Yorkshire man of very strong opinions, is deeply troubled by Amy’s death.
Sgt Cluff Stands Firm from Gil North shows a world in flux. The market town of Gunnarshaw has many houses in which bedrooms have been converted into that perennial luxury: an indoor bathroom. Cottages are being demolished to make way for businesses. This is a time when suicide is illegal, before the birth control pill became “available for all” on the NHS. This was also the end of the age when it was common for children to nurse their ailing parents until death.
In Cluff, we have a hero who hates his car, loves his dog (who accompanies him on his investigations), a solitary man who’s bonded to the land and has a solid moral core when it comes to right and wrong. Cluff isn’t entirely convinced that Amy’s death was suicide, and yet even if it was, can justice be brought to the callous husband who pushed her so far? Cluff takes a holiday to pursue the case, and that means keeping a close eye on Amy’s philandering husband in this tale of marital strife and revenge.There’s more than a dash of misogyny in the novel–but this is clearly not from the author but from some of more ungracious characters who pass judgments on Amy who is seen, by some, as foolish for marrying a man so much younger than herself in an ‘well-she-asked-for-it’ sort of way. The author makes it easy to delineate characters into those we should like and those we should dislike by their treatment of Cluff’s dog.
Sgt Cluff Stands Firm is the first in a series of 11 novels. Gil North (1916-1988) whose real name was Geoffrey Horne was, like his protagonist, from Yorkshire, and his Cluff books were very popular in the sixties, spawning a television series. Sgt Caleb Cluff, a heavy-set bachelor who lives with a Persian cat and a dog named Clive (one in a series of Clives) is a solid character who inspires respect from the locals and fear in the baddies. Inspector Mole, Cluff’s superior, dislikes animals and is a snob. He is “at a loss to understand how the Sergeant had made the plain clothes branch.” Mole underestimates Cluff, and yet Mole also dismisses the darker aspects of the Amy Wright case in his eagerness to end the investigation. According to Mole, “there’s nothing to get excited about,” and even the police surgeon chalks the woman’s suicide up to “the menopause.”
This is a short, cinematic novel–not really a whodunnit. Instead the plot shows two people who made marriages for material gain–a young, ambitious woman who married a much older farmer, and the sleazy Wright who married Amy for the security she offered. Cluff is positioned in the novel, unusually for a policeman, as a wrathful, vengeful man who intends to get ‘justice’ for Amy–a woman who was neglected and ignored by everyone who knew her. As a crime novel, Sgt Cluff Stands Firm is an unusual pick for British Library Crime Classics, but then that’s part of the attraction of the series which introduces readers to British crime classics that were formerly OOP. While there’s nothing earth-shattering here, it’s a competently plotted novel–although I did find some of the descriptive sentence pacing on the annoying side:
He was meagre under his gaberdine raincoat, his knees pointed, his shanks like sticks under their covering. His eyes were shifty, never still. His lips were hardly perceptible. His nose was sharp like a ferret’s. He gave the impression of being suddenly trapped. He opened his mouth. His teeth were needles.
The novel’s strength comes in the force of Cluff’s personality and battle between good and evil. Analytically, given the times, Cluff could be seen as a bastion of moral values. He doesn’t approve of a young woman in the book who appears to be a quasi-prostitute, so perhaps Cluff’s popularity was partly in response to what was perceived as the erosion of morality in the 60s. We have no doubt that crime would run amok in Yorkshire if not for Cluff’s impressive presence, and as always with a series, it’s affection for the main character that guarantees success.