“There are some girls, Harry, who are no good.”
James Hadley Chase’s wonderful noir novel, But A Short Time to Live, is set in dreary post WWII London. Harry Ricks is one of several photographers employed by a failing business to take photos of people in the street, and it’s his job to try to make a sale. It’s depressing work with a very low success rate, and Harry is struggling to make a living. This is how the book opens just after Harry snaps a photograph of a woman passing by:
The fat woman smiled self-consciously at Harry as he gave her the card. It was a pity, he thought that she had let herself go. Her uncared for hair straggled from under a hat that didn’t suit her, her eyes were heavy and tired, and there was a shine on her face that made you think she had just this moment finished cooking a stodgy, uninteresting meal.
It’s the end of a long day, and Harry is in the Duke of Wellington having a pint when he notices a stunning woman drinking whisky with a much older, fat and unpleasant man. Harry’s first impression is that while the woman is beautiful, the situation indicates that there’s some funny business afoot.
Her companion wasn’t the polished Stewart Granger type Harry expected to see, but a short, fat elderly man whose face was the colour of port wine and who was as near being intoxicated as made no difference.
A few hours later, a series of events leads Harry to taking the woman in the pub, Clair, home to her very large, expensive flat. While everyone else still feels the belt-tightening of the war, Clair seems immune to deprivation: her flat is well-stocked with whisky. She claims she’s a model, drives a sports car, dresses in expensive clothing and Harry desperate to avoid some nasty conclusions about Clair’s behaviour,and ignoring “how hard she looked,” believes every word she says. …
Some of the characters in the book, even though they are astonished that Harry would land such a woman, admire Clair, but Harry’s best friend and roommate, Ron, warns against getting mixed up with Clair. Ron, a tragic figure, who has had bad experiences with what he calls “glamour girls” warns Harry that these relationships never work out for the “poor mug who marries them.”
There’s another great character here–Mooney, a strange, shady figure, who starts out in the book as Harry’s employer. Mooney is lazy, unambitious and happy to sail on the talent of others. Later in the book, Mooney’s more exploitative side takes over as he starts using Harry, but by the time the tale ends, Mooney reveals more character than we thought he had:
If you’re not settled in a job by the time you’re forty, it’s curtains. Watch that. You’ve got to be fixed up by forty, kid. Don’t forget. it’s important. No one wants a man when he’s over forty these days.
Clair is the dominant partner in the relationship with Harry. Everything runs the way she wants: what she spends, where they live, who they see. Harry makes a few objections, but he’s weak when it comes to Clair. In this story of doomed love, Harry has plenty of warnings about Clair; he sees things, he’s told things, but he keeps on … committed and devoted to the end of the road.
But A Short Time to Live follows the trajectory of Harry and Clair’s relationship, and the book took a number of unexpected twists and turns as this troubled couple try to (and seem to) elude fate. This is an excellent noir tale, set in a dreary post WWII London, peopled with spivs, prostitutes and cheap entertainment; it’s a story oozing with desperation and darkness spiraling towards its inevitable end.
This is the first James Hadley Chase novel I’ve read set in England. It’s available for mere pennies in the US. My kindle version has a few typos but nothing that inhibited readability.
11 responses to “But a Short Time to Live: James Hadley Chase (1951)”
Sounds a great noir tale.
It really was good, Emma.
I hate that cover! I remember secretly reading James Hadley Chase as a teenager and the covers were luridly sexy.
Agreed. The cover has little to do with the content, but when you are only charging 99c for a kindle book, you can’t be choosy, I suppose.
This does sound good. I’ve been meaning to try this author for a while, possibly in the form of No Orchids for Miss Blandish. That said, I’m a sucker for anything with a London setting from this era…
One of the criticisms of Chase is that he didn’t nail the details in some of his crime novels that were set in America. I’ve caught that in a few. No Orchids is great though.
That cover seems very inappropriate for the 1950s setting – more like the summer of 1968!
I like the sound of this. I’ve never read him, would you say this us a good starting point?
Yes. There are a few novels that feature series characters but this is a standalone.
I think that might be quite low key for a Hadley Chase cover. Lurid is the word for them as I recall.
It sounds good, but then he was a bestselling author of his day wasn’t he? Curious how he went out of fashion.