Strangers: Anita Brookner

Anita Brookner’s novel Strangers weighs the value of loneliness and the solitary life against relationships that are full of compromise. The main character is Paul Sturgis, a man in his 70s, who “loved too unwisely in his youth.” At this point in his life, Paul, who has retired from banking, has no friends and no family apart from Helena, the widow of a deceased cousin. Although he visits Helena weekly out of a sense of duty the visits are awkward and one-sided with him as the listener as Helena brags about her friends and how concerned they are for her.

So he usually resigned himself to a coolheaded appraisal of her folly (and of his), would listen to her accounts of her many friends, among whom was one she referred to as ‘my tame professor,’ and whose function in her life was unclear; there were also her partners at the bridge club–‘the girls’-and the neighbours who invited her to dinner (‘They make such a fuss of me I don’t like to let them down’).

With Christmas looming, Paul decides to avoid Helena  and instead takes a trip to Venice. On the journey, he meets an attractive, divorced woman in her fifties, Vicky Gardner, and although she’s a stranger, in his loneliness Paul encourages the relationship into an acquaintance. After a meal together Vicky promises to look Paul up when they are back in London, and to his surprise, she does.


But while Paul longs for a friend or a companion, Vicky is neither of these:

Her determination not to be fully questioned was all of a piece with her sense of freedom, a sense which usually evaporates as one reaches the age of maturity. This she had somehow retained. On first encountering her on the plane to Venice he had thought her agreeable, no more, an ordinary woman on her way to friends, whose way of life appeared normal. In time, however, those friends had multiplied, and although anonymous, were somehow omnipresent. Her evasiveness was a way of exculpating herself from obligation: it was preemptive, in the sense that it proclaimed her to be guilt free

Then Paul runs into the love-of-his-life, Sarah, the woman who dumped him years earlier….

Although Strangers is a very calm, mannered undramatic novel, the plot revolves around Paul’s quiet crisis of confidence. Should he pursue the elusive Mrs Gardner or the acerbic Sarah? Mrs Gardener is much more fun to be with, but then again Paul and Sarah have a shared history and are more-or-less the same age.  Or then again, should a bachelor of 74 avoid matrimony altogether?

Thematically, Strangers is close to A Private View since both novels concern retired, lonely bachelors who find their lives invaded by females. The opportunistic (and unpleasant) Katy from A Private View could well have matured into the slightly more sophisticated but still eminently selfish Vicky. Interesting how people as volatile and restless as Vicky and Katy gravitate to the well-moored males they discover. I had a lot of sympathy for Paul who seems destined to be a perpetual sounding board for the women in his life. Although Paul has been made to feel ‘boring’ by women, he’s quite complex, hungering for the home and childhood he couldn’t wait to escape, and finding himself always haunted by what-might-have beens. Paul is very found of Henry James, and he’s very much a Jamesion figure–detached but watching the action; unfortunately he longs to be something else.

Here’s my order of preference so far:

Hotel du Lac

Look at Me 



Friends and Family

Undue Influence


A Private View 

The Rules of Engagement


Filed under Brookner Anita, Fiction

21 responses to “Strangers: Anita Brookner

  1. I haven’t read this or A Private View but from your accounts of both I have the feeling that they don’t quite have the bite of the books with female narrators. Do you think so?

    • No they don’t have the bite, quite, of bitter loneliness, but I liked the way Paul is shown as a bit confused still about who he is and what he wants. Overall I think Brookner did a credible job with her males.

  2. The characters and relationships as you describe them in this book sound fascinating. As I get a little older, I see how decisions and behavioral patterns made and formed in one’s youth can have effects that reverberate for decades.

  3. One thing that strikes me about Brookner is her ability to write complex and nuanced characters of both genders, not just women but men too. Not always an easy feat to pull off successfully.

  4. Paul sounds like a character I would like and feel very sorry for.
    I find it interesting that she writes male and female charcaters and succeeds at both. Too often an author will always chose his/her own gender.

    • Yes, now you put that thought on the table, I did like Paul. I liked him more, George Bland in A Private View–I saw George as a bit weak and not fessing (completely) to the fact he lusted after a younger woman.

  5. Tom Sabine

    Brookner’s other male protagonist of note here is Herz in The Next Big Thing / Making Things Better. Gender, though, is something of a red herring. Their companions in moral vulnerability and disposability are both female – Mrs May in the brilliant Visitors and Elizabeth in At the Hairdresser’s. Of Herz, in interview, Brookner admitted: ‘He’s me, really. That’s what you’re longing to say. And I thought I was making him up!’ I think of Flaubert’s ‘C’est moi.’

  6. A great review Guy and Anita Brookner really does get underneath the character’s behaviour. I think some people find it hard to be honest with themselves which causes problems all round!

  7. I have quite a few Brookners but not this one I think. I’d agree with Jacqui that Brookner seems as much at ease in writing about male personalities as female.

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