“I sometimes wonder if dreams are like dandelion seeds: once you blow them off they take root somewhere else, with somebody who still believes.”
In Vikki Wakefield’s Ballad for a Mad Girl, 17 year-old Grace Foley who, after the loss of the family farm, lives with her widowed father and brother in Swanston (“Swamptown”) Australia. Nothing has been the same since the death of Grace’s mother. She was the glue that held the family together, and now Grace’s father seems unable to cope with his teenage daughter.
Grace attends school, and a rivalry exists between students from Swampie Public and the private Sacred Heart school. Swampie Public doesn’t have a library or a gym, and so they ‘share’ Sacred Heart’s facilities.
A solid, eight-foot wall separates Swanston Public and Sacred Heart. They made it arty by placing a thick Perspex panel every thirty metres or so, just to give the illusion that it’s all friendly, that we’re not segregated according to how much money our parents can afford to blow on our education. The wall keeps two castes of baboons from tearing each other apart.
This longstanding rivalry is manifested in many ways, but one of the most dangerous demonstrations of perceived superiority takes place in the local quarry when teens from both schools meet at night to compete. The dangerous goal: to straddle, shuffle or walk across a pipe that crosses the quarry, and if you slip, there’s a long fall to the quarry beneath. Grace is a Swampie Quarry champion, and when the book opens, although she’s grounded (again) she slips out of her house for another quarry challenge. This time, however, something goes horribly wrong. …
After the failed challenge, Grace is different. Something happened to her when she sat on the pipe attempting to cross the quarry. She felt a presence, and she didn’t come home alone. Now something, someone dead, follows her, lives in the shadows of her room. Grace isn’t the same. Her friends shun her and Grace, finally, realises that the otherworldy presence, wants something from her.
Grace begins to poke around the mystery surrounding the disappearance of a girl named Hannah Holt, a girl who is rumoured to be buried somewhere in the quarry. Her search leads her away from her friends and back into the past, specifically to Hannah Holt’s room, still maintained as a shrine by Hannah’s reclusive mother.
Class, adolescence, peer pressure, loss, all add up to a mystery coming–of-age novel with supernatural elements, and the supernatural elements serve to produce that other problem of adolescence: alienation. Ballad of a Mad Girl is essentially a substantive YA book–not my usual read as I’m not the target audience. Still I appreciated the novel.
An entry in the reading Australian Women Writers Challenge