Category Archives: Fremlin Celia

Uncle Paul: Celia Fremlin (1959)

Three sisters under pressure and the vagaries of love and marriage are under examination in Celia Fremlin’s novel, Uncle Paul. Meg is the main character here, and when the novel opens, she receives a telegram from her sister Isabel regarding their older half-sister, Mildred. Isabel is on holiday in Southcliffe with her new-ish husband and her sons from a previous marriage. Mildred, the most troubled sister of the three, is also on holiday, but in Mildred’s case, she’s left her current husband (yet again) and Isabel is worried.

Uncle paul

So it’s Meg to the rescue, but first she asks for advice from her boyfriend Freddie (an Oscar Wilde-ish character who lounges around in a scarlet silk dressing gown and who is the book’s greatest character):

“Quarrel with them,” came the instructions down the wire, decisively. “It’s the only way with families. Quarrel with them now, while you’re still young. If you leave it till you’re older, you’ll find that you owe them all so much money that you can’t afford to. So quarrel, girl, quarrel for your life! And then come round and have a drink. In about half an hour.”

Meg packs up and goes to join Isabel at the seaside. Isabel and her sons are holed up in the grotty family caravan, and Isabel’s hubbie…. well he’s nowhere in sight.

As for Mildred, she booked a holiday rental, a remote cottage which happens to be the same place she stayed 15 years earlier on her honeymoon with Uncle Paul. But the honeymoon went horribly wrong. Paul went to prison, and Mildred went on with her life. Staying at the cottage again brings back painful memories for Mildred, but there’s something else afoot. Has Paul returned and does he seek revenge?

Uncle Paul is a slow burn novel with fear, suspicion and hysteria built slowly, so don’t expect a page-turner. Meg is the sensible, most solid sister, Isabel is scattered and nervous, and Mildred, with her tendency towards drama and self-involvement, is the most unstable of the three. At first, Meg dismisses Mildred’s concerns as yet another play for attention, but after spending a night in the cottage, Meg has cause for alarm.

Author Celia Fremlin juxtaposes the simple, sometimes tedious activities of the day (sitting in the hotel with other guests and playing on the sand with the children) with the nameless fear that awaits in the night. The plot emphasizes how suspicion can undermine even the strongest bonds, and that concern can easily grow into hysteria. There are so many weird things going on in the lives of these sisters; Isabel seems overly anxious about her husband’s imminent arrival, and Meg even begins to question who Freddie really is.

Uncle Paul, a Woman in Peril novel, is a precursor to the extremely popular Domestic Thrillers of today–the books where wives start to question who their husbands really are. Uncle Paul’s strength is its characterizations. I was impressed by how women dominant this story, and how the men, for the most part, are almost entirely absent. There’s some wonderful humour here especially when author Celia Fremlin dabbles with hotel life, the precocious child Cedric and the dapper Captain Cockerill.

I’ll be reading more from this author.

Review copy.

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Filed under Fiction, Fremlin Celia

Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Fiction ed. by Sarah Weinman

With the title Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Fiction, how could I pass up reading this collection of 14 stories? And here’s the line-up:

  • Patricia Highsmith: The Heroine
  • Nedra Tyre: A Nice Place to Stay
  • Shirley Jackson: Louisa, Please Come Home
  • Barbara Callahan: Lavender Lady
  • Vera Caspary: Sugar and Spice
  • Helen Neilsen: Don’t Sit Under the Apple Tree
  • Dorothy Hughes: Everybody Needs a Mink
  • Joyce Harrington: The Purple Shroud
  • Elizabeth Sanxay Holding: The Stranger in the Car
  • Charlotte Armstrong: The Splintered Monday
  • Dorothy Salisbury Davis: Lost Generation
  • Margaret Millar: The People Across the Canyon
  • Miriam Allen Deford: Mortmain
  • Celia Fremlin: A Case of Maximum Need

Some of the names were familiar thanks to previous reading: Shirley Jackson, Patricia Highsmith (Strangers on a Train, A Suspension of Mercy , The Cry of the Owl as well as a couple of short story collections) Vera Caspary (Bedelia, Laura, The Secrets of Grown-ups) and Dorothy Hughes (The Expendable Man, Ride the Pink Horse. I’d also heard of, and been meaning to read Celia Fremlin, Charlotte Armstrong, Elizabeth Sanxay Holding, Helen Neilsen, Margaret Millar (who seems to have faded from view while her husband Ross Macdonald remains widely read). Unknowns were: Miriam Allen Deford, Nedra Tyre, Barbara Callahan, Joyce Harrington, and Dorothy Salisbury Davis. After reading the line-up, I knew I’d come away pleased to meet some old friends and delighted to find new names to explore. My expectations were fulfilled–although oddly enough, I was disappointed in the Highsmith story which was rather predictable, and the Dorothy Hughes story which fell flat.

Troubled DaughtersBut onward…

The gem of the collection here, and why am I not surprised, belongs to the Divine Vera Caspary. Yes, Sugar and Spice is a wonderful tale–either a long short story or a novella–it’s hard to tell on the kindle. This is a story within a story which opens with a California woman named Lissa who has a visitor one Sunday afternoon named Mike Jordan. He asks to put through a long-distance call to New York, and when he returns from making the call he asks Lissa if she would like to know who murdered the famous actor, box-office heartthrob, Gilbert Jones. This is an  unsolved murder, so naturally Lissa wants to know the answer, and Mike tells his tale which goes back several decades. In his youth, Mike made the acquaintance of two cousins–the very beautiful but very poor Phyllis, and the very plump, unattractive but very rich Nancy. These two girls grew up in bitter rivalry, and just how this rivalry plays out creates a tale of jealousy and revenge with Nancy and Phyllis fighting over the same man on more than one occasion. Phyllis, elegant, cool and slim looks beautiful no matter how poorly she’s dressed, and little fat Nancy wears the most expensive designer creations and always manages to look like a stale, overstuffed cupcake. This story would have made a great film, but that’s not too surprising given how many story treatments, screenplays and various adaptations Vera Caspary penned for the big screen.

Another favourite for this reader is “Louisa, Please Come Home.” This is the story of a young woman who flees her affluent home on the eve of her sister’s wedding. Is she motivated by fear, a desire for independence or is this simply an attempt to upstage her sister? I kept waiting for the motivation to be revealed, but author Shirley Jackson doesn’t take the stereotypical approach here, and instead the ending, which leaves more questions than answers, is deeply unsettling. Here’s Louisa, at a distance, keeping an eye on her disappearance through the newspaper stories:

I followed everything in the papers. Mrs. Peacock and I used to read them at the breakfast table over our second cup of coffee before I went off to work.

“What do you think about this girl who disappeared over in Rockville?” Mrs. Peacock would say to me, and I’d shake my head sorrowfully and say that a girl must be really crazy to leave a handsome, luxurious home like that, or that I had kind of a notion that maybe she didn’t leave at all–maybe the family had her locked up somewhere because she was a homicidal maniac. Mrs. Peacock always loved anything about homicidal maniacs.

Sarah Weinman’s introduction addresses the history of Domestic fiction, some of the best known names in the field, and the contribution to crime fiction by female authors. The stories in this collection address the rot within the domestic environment and also examines assaults against domestic security, so one story includes the Nanny from Hell while another story includes a nurse who simply can’t wait for her patient to die. We see women as victims, women as perps, women fighting over men, and while there are a number of deranged and damaged females in these pages, underneath the collection lies the unasked question: what happened to these women? Have they been damaged/driven to the point of insanity due to the constrictive roles handed to them by society? It’s an unsettling thought. In Elizabeth Sanxay Holding’s excellent story, Stranger in the  Car, family patriarch, the very wealthy Carrol Charleroy, a man who imagines that he is ‘in charge’ of his household, discovers the hard way that he’s ‘managed’ by the women in his life, and he’s about to learn that he really knows nothing at all about these women–women he’s known for years. And finally, I have to mention Celia Fremlin’s wickedly nasty story A Case of Maximum Need, the story of an old lady who gets a phone installed in her apartment by a do-gooder who has no idea what she is dealing with. I particularly liked this story as I knew a woman in her 80s who masqueraded as a 29 year-old-woman in many internet courtship relationships with young males. I wonder what Celia Fremlin would make of that? Anyway, there’s a good range here, and this volume is especially recommended for those, like me, who’d like to discover some ‘new’ writers. It’s nice to see some of these names resurrected from obscurity.

Review copy

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Filed under Caspary Vera, Fiction, Fremlin Celia, Highsmith Patricia, Hughes Dorothy B., Jackson Shirley, Millar Margaret, Neilsen Helen, Sanxay Holding Elizabeth