Enforcer Nate Colgan first appeared in Malcolm Mackay’s The Necessary Death of Lewis Winter, the explosive gateway to a series of novels focusing on a Glasgow organised crime network. Colgan didn’t have much of a role to play as the ex-boyfriend of Zara Cope who, in the Necessary Death of Lewis Winter, is shacked up with a minor drug dealer who trespasses on someone else’s turf and subsequently pays the price. Colgan was one of the most memorable characters in the novel, and somehow it just makes sense to find him spearheading Every Night I Dream of Hell.
Every Night I Dream of Hell is the fifth novel in the Glasgow crime series. The first three in the series (The Necessary Death of Lewis Winter, How a Gunman Says Goodbye, The Sudden Arrival of Violence) explore the turf war between mid-level gang-lord Peter Jamieson and used car dealer with ambition, Shug Francis. In a grow or die scenario, one of the gangs will be destroyed and/or cannibalized by the other.
In Every Night I Dream of Hell the turf war is over and Jamieson and his right hand man, John Young are in prison, and that leaves the remains of the Jamieson gang ‘managing’ the turf, the deals, the money and the bent coppers. Nate Colgan is hired as a “security consultant,” and it’s a role he’s not particularly comfortable with. Colgan sees the writing on the wall thanks to the in-fighting and overall lack of confidence in leadership, but a new threat appears in the form of a British gang who, smelling blood, have moved north to invade Jamieson’s territory. Naturally with a very visible, violent threat knocking at the door, Colgan is involved, but his position is made tougher by the fact that Zara Cope is involved up to her neck with the British gang.
Both Zara and Colgan are great characters. Colgan is a killer but he seems to have a cool head on his shoulders. It must have been a temporary lapse in judgement that caused him to allow the sly, opportunistic Zara to creep under his covers. Or perhaps women are his Achilles’ Heel? Colgan knows better than to get involved with Zara again, and yet there’s something there he can’t resist.
There was something sweet and sticky in her words, a trap I didn’t like the sound of.
Zara may be a lowly figure in the crime world, but she’s in the sights of DI Fisher:
You can’t chase every rat; you will end up getting lost in the sewers. You catch the ones you can. You keep an eye out for the most rotten of them; you don’t get distracted from the bigger picture. But some, Jesus, some of them you can’t stop chasing. It’s not a professional thing to admit to, no cop should get sidetracked by a criminal of no importance, but it happens. Someone infests your mind. Might be a victim you just have to help. Might be a criminal you just have to catch. Everything else drops into the background.
There’s a lot of back story to the plot, and this is supposed to either jog our memories of the last four books or fill in the blanks (if we haven’t read the books), but the catch-up occasionally weighs down Mackay’s bleak, machine gun -style. Any reader should do themselves a favour and read at least the first three books first–otherwise you may be completely lost in the sea of names and past associations. Those who’ve already read the earlier books won’t be able to resist this one.
For this reader, Every Night I Dream of Hell, although it involved the same turf, some of the same characters, and the network and hierarchy of a brutal criminal gang, wasn’t quite up to the standard of the previous four. This may be because Colgan is a lot like the gunman MacLean in many aspects–wanting a slice of normal life but understanding that it comes at too high a price.