Yes, Richmal Crompton (1890-1969) wrote those Just William books, but she also wrote a host of adult novels. Crossing genre and audience boundaries can be hazardous to both the author’s career and the readers’ expectations, so when I first came across a few of her novels (for adults) I wondered how good they would be. A few years ago I read and enjoyed Steffan Green, a story of village life in the 30s, so onto Weatherley Parade–a book which had lingered in my TBR
room stack for far too long.
The word ‘parade’ evokes a celebration, but if there’s any celebration here, then it must be the celebration of survival. The book opens in 1902 with the return of Arthur Weatherley from the second Boar War. Although Queen Victoria died the year before, somehow the ending of the Boer War seemed to slam the door on the era, so here we have the Weatherley family about to enter a different age. Since the novel follows several generations of this family into the 20th century, we know we are going to head into some difficult times.
Arthur Weatherley arrives home a broken man; he’s now an invalid and will remain so for the rest of his life. In his absence, his much younger responsible second wife, Helena, has managed their stately county home, their baby Billy and Arthur’s 2 children from a former marriage: Clive and Anthea. Even though the 3 children are young, already the eldest 2 have formed the characters which will haunt them for the rest of their lives.
Clive is ‘perfect’–a sober little adult in the body of a 15-year-old. He’s even tempered and meticulous. Clive has many of his father’s characteristics, but while Arthur Weatherley could be called an old-fashioned stick-in-the-mud, a product of his age, Clive is a prig. But there’s more than just fustiness afoot here. There’s no warmth, no shred of humanity or compassion. He’s an automaton. Eventually he marries and proceeds to micromanage his young, naive wife. If he micromanaged her with sarcasm or anger, she’d probably fight back, but he micromanages her with a smile, under the guise of ‘teaching’ her.
On the top of the bureau was a little pile of books that Lindsay had brought from the Library the day before. He looked at them with a kindly smile.
“No trash, I hope, darling?”
“No,” said Lindsay. “They’re all from the list you gave me.”
Anthea Weatherley, on the other hand, is nothing like her brother. She’s vain, superficial and hell bent on being the centre of attention. “Already the bright–too bright–eyes were darting round in search of further conquests.”
Other characters include: Arthur’s sister, Lilian, a youngish woman when the book opens, whose many engagements to various men have all ended abruptly. Lilian is on the wild side; she smokes and drinks, and her private life causes Arthur a great deal of anguish. Lilian won’t settle down, and over the course of several decades she restlessly careens from one cause to another, burning her bridges as she goes.
Another significant character is Clive’s best friend Ronnie–the son of the local vicar. Ronnie is neglected and treated badly by his father who is unhealthily fixated on his paralyzed daughter, Flora. She may be immobile but she’s a tyrant masquerading as an angel:
You’re a very brave little girl,” said Miss Clorinda.
“Well, I can’t be anything else,” said Flora, “so I might as well be brave.”
The Vicar’s hand went to the pocket where he kept the notebook in which he recorded his angel’s more notable sayings, then, as he remembered where he was, withdrew. He could put it down later … Flora’s sharp eyes had seen and understood the movement. If he forgot to put it down later, she would remind him. He didn’t often forget, but when he did she reminded him.
Ronnie accepts Clive’s patronage as he’s several years younger than Clive, but as the years pass, Ronnie, no longer wants a friendship with someone who acts like his schoolmaster, and he grows apart from Clive.
The novel’s strongest aspect is the examination of character as these people age and interact. Many of the relationships here are built on exploitation of one sort or another. When people are nasty, then their behaviour is at least somewhat transparent, so manipulation with kid gloves under the guise of ‘caring’ is especially toxic.
Will wild Aunt Lilian ever find happiness? It’s arguable that she can’t fit into the role defined for her by the standards of the day (marriage and children). Will she grow through the Suffragette movement or it this just another of her phases?
And what of Anthea as she ages? Some of the novels best scenes concern her middle aged attention seeking behaviour which her kind, supportive (doting) husband, accepts as normal.
There’s some tragedy here as peoples’ lives fall apart. Adults blunder and a child pays the heavy price. Society changes a great deal over the years 1902-1940, and these changes free some of the characters. The novel begins with women not expected to get an education as “a girl’s place is at home both before and after marriage, ” and divorce is considered perfectly scandalous. We pass through WWI, the Spanish Flu, the Spanish Civil War, the growth of Socialism, the rise of Nazi Germany, and eventually WWII. Incredibly few characters become casualties given these events, and instead people more or less build their own tragic fates. While the Weatherley children grow up and move away, the story still revolves around the house and the family. This is a gentle read, even while it reinforces the idea that character is fate.