Tag Archives: Hap and Leonard

Hoodoo Harry: Joe R. Lansdale

Joe Lansdale’s novella Hoodoo Harry is one in the entry of Bibliomysteries (“a series of short tales about deadly books by top mystery authors”). Hoodoo Harry features Lansdale’s much-loved fictional duo Hap and Leonard, and since it’s a short trip with these two, I’d recommend it for fans rather than newbies.

For those unfamiliar with Hap and Leonard, they live in East Texas, outside of mainstream culture by scraping a living at menial jobs as field hands or day laborers. Later in the series, they work at a detective agency run by Hap’s girlfriend, Brett. Hap and Leonard’s close friendship substitutes for other familial relationships, and while these two men are the best of friends, especially during humorous bantering sessions, they seem like an old married couple. Hap Collins is white, Leonard Pine is gay, black, a Vietnam vet. Digging back in Hap and Leonard history, Hap, who was a member of the counter-culture, refused to go to Vietnam, and served time. The two men operate as a team, with Hap as our narrator, so the novels clearly lean towards the Hap side of things. Hap is often troubled about acts of violence that take place while Leonard isn’t troubled by moral questions.

Hoodoo Harry

In Hoodoo Harry, Hap and Leonard are on a fishing trip when a bookmobile barrels towards them:

As we came over the hill. the trees crowding in on us from both sides, we saw there was a blue bus coming down the road, straddling the middle line. Leonard made with an evasive maneuver, but by this point the trees on the right side were gone, and there was a shallow creek visible, one that fed into the private lake where we had been fishing. There was no other place to go. 

Hap and Leonard survive the accident, but the driver of the bookmobile van doesn’t. Turns out the driver, am orphaned boy named James, had been “couch surfing,” and picking up odd jobs in Nesbit–a town with an ugly history. Hap and Leonard are troubled by James’s death, and although his death was caused by a horrendous accident, they feel responsible. The fact that James was covered with cigarette burns and had clearly been tortured before his death indicates that he was running, terrified from some awful fate. And then there’s a question about the bookmobile. It disappeared 15 years ago along with its driver, Harriet Hoodalay, otherwise known as Hoodoo Harry. This was a cold case until the perfectly preserved missing bookmobile plows into Hap and Leonard.

Where has the bookmobile been for the last 15 years? Where is Hoodoo Harry and why was a runaway child at the wheel of a vehicle he couldn’t handle?

Anyone familiar with Hap and Leonard, who typically take on the cases of the disenfranchised, can guess that these unlikely best friends will investigate the case and find the answers. Race issues, as always, float to the top of the tale. Hap and Leonard operate in East Texas and Nesbit is one of those out-of-the-way unpleasant little towns where everyone appears to know everything about all the mostly unsavory residents.

The tale also includes Lansdale’s signature style and that is occasionally crude. It goes with the territory:

When I came to, I was lying on the ground on my side by the edge of the creek. I was dizzy and felt like I’d been swallowed by a snake and shit down a hole. My throat was raw, and I knew I had most likely puked a batch of creek water. 

For Lansdale fans, this tale is a short, fun trip, but it’s probably not the best place to start if you’re new to the Hap/Leonard team

Review copy

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Honky Tonk Samurai: Joe R. Lansdale

the front windshield collapsed like a Baptist deacon’s morals at a strip club.”

Honky Tonk Samurai is the eleventh book in author Joe R. Lansdale’s Hap and Leonard series. For those who are unfamiliar with this excellent series, Hap and Leonard are an East Texas pair, who live surrounded by rednecks and racism, are unlikely friends and consider themselves brothers. While the two aren’t exactly itinerants, they are content to live outside of mainstream culture by scraping a living at menial jobs as field hands or day laborers. Their close friendship substitutes for other familial relationships, and while these two men are the best of friends, blood brothers if you will, at other times, especially during humorous bantering sessions, they seem like an old married couple.

Honky Tonk samurai

Hap Collins is white, Leonard Pine is gay, black, a Vietnam vet. Digging back in Hap and Leonard history, Hap, who was a member of the counter-culture, refused to go to Vietnam, and served time for his opinions. The two men operate as a team, with Hap as our narrator, so the novels clearly lean towards the Hap side of things. Hap is often troubled about acts of violence that take place while Leonard isn’t troubled by moral questions. In all the Hap and Leonard books, somehow or another they are dragged into crime–not that they go looking for trouble; somehow trouble always looks for them. Sometimes it’s a returning ex that heralds trouble (Savage Season), and sometimes it begins with a friend asking for help.

I don’t think we ask for trouble, me and Leonard. It just finds us. It often starts casually, and then something comes loose and starts to rattle, like an unscrewed bolt on a carnival ride. No big thing at first, just a loose, rattling bolt, then the bolt slips completely free and flies out of place, the carnival ride groans and screeches, and it jags and tumbles into a messy mass of jagged parts and twisted metal and wads of bleeding human flesh.

Honky Tonk Samurai finds Hap and Leonard aging and working part-time for a detective agency. Not far into the tale, Hap’s long-term girlfriend, Brett, decides to give up nursing and takes over the company, and the first case appears in the shape of a crotchety, foul-mouthed, sinewy old woman who looks like a “retired hooker.

“You’re Hap Collins, aren’t you?”

“I am,” I said. “Do we know each other?”

“No, but when I was forty I’d like to have. You and me could have burned a hole in a mattress then. Course, you may not have been born. But you might want to lose a few pounds, honey. You’re beginning to chub up.”

“He’s taken,” Brett said, “Pounds and all.”

The old lady studied Brett. “Aren’t you the Southern belle? I bet you could earn a pretty penny on a Louisiana shrimp boat and never have to cast a net.”

“Listen, you old bag,” Brett said.
“Either say what you want or I’m going to stick that cane up your ass and throw you down the stairs so hard the dye will come out of your hair.”

Turns out the old lady, Lilly Buckner, is the first client of the Brett Sawyer Detective Agency, and she wants Hap to find her missing granddaughter Sandy. Sandy, who graduated with a journalism degree and “found that the newspapers and magazines that did hard news had gone the way of the dodo bird and drive-in theaters” ended up working at a “high-end” used car dealership, but one day she just disappeared. Five years have passed and the case is cold. Hap and Leonard go undercover as potential car buyers at the high-end dealership and discover that the business is selling more than just cars….

On the hunt for Sandy, Hap and Leonard stir up trouble in the form of a biker gang and a mysterious hitman known as the Canceler who has a habit of collecting trophy testicles. Cheap hustlers, petty cons, thugs and psychos populate Hap and Leonard’s colorful world, so expect some old familiar faces (including Jim Bob and his car, the Red Bitch), and some new weirdos. I haven’t read the entire Hap and Leonard series; I read a few of the early books and a couple of the later books, so I’d recommend that if you come to Honky Tonk Samurai you should also have at least Vanilla Ride under your belt.

As always with series characters, the adventure/case runs parallel to developments in the personal lives of the main players. In this instance, Leonard, who never baulks at using violence, is deeply torn over the behaviour of his lover, John who’s struggling with guilt for being homosexual. Hap and Brett face a surprise development when Hap’s past arrives on his doorstep.

It was a pleasure to read Hap and Leonard’s latest adventure. Author Joe R. Lansdale is clearly fond of these characters, and it shows. This is another excellent entry in an excellent series. It’s no surprise that someone finally saw the sense of picking up this unlikely crime fighting duo for a TV series, and I’m certain that this will brings Lansdale a new audience of fans.

Review copy

 

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