Max Allan Collins has written a number of Nathan Heller novels which focus on real events, including the assassination of Huey Long, the Black Dahlia murder, and the Lindbergh kidnapping. In common with the Nathan Heller series, The Seduction of the Innocent, is also inspired by true events. Collins explains, however, that while the Heller books “hew religiously to actual events” he opted to take a different tack with this latest release from Hard Case Crime, and if you read the book, it’s easy to see why (more of that later). In his latest novel, Collins appears to have a lot of fun with his characters, and as a result, The Seduction of the Innocent is laced with the sort of humour that reminds me of Donald Westlake.
Meshing fact and fiction into a perfect blend, the novel centres on the comic book industry–specifically our narrator Jack Starr, part owner of The Strip Joint, a Manhattan restaurant that’s just one part of the Starr Syndicate’s business concerns. Stripper Maggie Starr, known professionally as Libidia Von Stackpole, is Jack’s sexy stepmother who is the brains of the operation, and since she owns 75 % of the Starr Syndicate, she’s also his boss. The Starr Syndicate is also involved in the comic book business, and that’s a prickly business to be in as comic book crusader Dr. Werner Frederick has made it his mission to clean up comic books and their perceived bad influence on children. Frederick’s book Ravage the Lambs is getting a lot of press in a society in which censorship and blacklisting are the results of the vicious, paranoid politics of the times, and with a grand jury investigation about to begin, those within the comic book industry are feeling a lot of pressure. With tempers running high, a murder occurs, and the killer left a calling card which implicates that this is a crime committed by someone in the comic book biz. Jack Starr steps up to investigate, and along the way he tangles with a few colourful characters and a very sexy dame.
On one level, this is a great pulp story, full of eccentric and sometimes badly behaved characters: there’s Will Allison, a promising young artist, Bob Price, a comic book publisher who naively believes that testifying before the grand jury will help argue his cause, luscious artist Lyla Lamont and her abusive boyfriend, Pete Pine, and sexy psychologist, Sylvia who admits to mixed feelings about Dr. Frederick. While she disagrees strongly with Frederick’s position on comic book censorship, she admires other aspects of his career.
While Seduction of the Innocent is a great romp through the comic book scene of the 50s, it’s a lot more than that, and the novel also addresses the issue of censorship with one cast of characters arguing vehemently against any policing of their industry, and Dr. Frederick arguing that comic books poison the minds of children. Dr. Frederick seems to be a rational enough, even open-minded human being, but get him started on comic books, and we see a normally reasonable, gentle man go ballistic:
“I do not dispute that the comic strip,” he said, mildly irritated, “has blossomed in its limited way in the greater garden of the American newspaper. But its bastard child the comic book is a poisonous weed that infests our newsstands. A dozen state legislatures have worked to ban or limit this blight upon our children, and many parents have risen up, even having public burnings of these wretched pamphlets.”
And here I thought the doc didn’t like the Nazis….
With emotions in the comic book biz running at an all time high, it’s no wonder that someone ends up dead, and it’s Jack Starr’s job to make sure that the right man (or woman) takes the rap for this dastardly crime.
One of the aspects of this book that I enjoyed the most was the way the author used the facts of the times to create a good, solid pulp story which manages to include some very serious moral questions, and we see the catastrophic results of one man with a few credentials seizing the moral high ground, “riding the comet of a controversy of his own creation,” while the rest of the characters struggle to justify their existence. The real life comic book crusader, Dr. Fredric Wertham is, of course, the model for the fictional Dr. Frederick, and Wertham’s expose book was called Seduction of the Innocent (hence the tongue-in-cheek title of the book). So here Max Allan Collins turns a tense period of history into a crime zone that could so-easily have happened with just a little stretch of the imagination. While some of the aspects of the fictional Dr. Frederick character may seem over-the-top or bizarre just go read about the person this character is based on and you’ll see that this is not an exaggeration. In one part of the novel, our fictional Dr. Frederick has a fit over the content of several comics. He sees evil and smut where it doesn’t exist and conversely, he fails to see evil when it stares him in the face. Dr. Frederick shows glimpses of homophobia in his gross misinterpretation of some of the comic book heroes:
“The undercurrent of homosexuality in the Batwing comic book,” he said as if tasting something sour, “is extremely damaging to impressionable minds, and children are inherently in that category.”
“Homosexual?” I asked.
That got me another flash of a look from Maggie.
“Impressionable,” he said sternly. “And the Amazonia comic book is rife with fetishistic bondage, and the lead character herself is clearly lesbian.”
“She has a boyfriend, doesn’t she?” I asked innocently. Some captain in the army or air force?”
“Amazonia is a closeted lesbian, frequently shown participating in semi-clothed frolicking with other lesbians.”
I never get invited to the good parties…
Dr. Frederick also sees comic book hero Wonder Guy as a “reprehensible exhibition of the Nazi theme of the Superman.”
Anyone that reads that much dirt into a character who is a patent do-gooder like Wonder Guy deserves to be handcuffed, gagged, dressed in latex, and spanked by someone named The Gimp. But I’d guess that Dr. Frederick would probably enjoy that too much.
To complement the subject, there are several appropriate illustrations throughout the novel, and in the afterword, Max Allan Collins talks about his “fact-inspired” novel, the real comic book crusade, Dr Wertham and comic book censorship along with further reading suggestions on the topic.
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