Tag Archives: plane crash

Before the Fall: Noah Hawley

“Because what if instead of a story told in consecutive order, life is a cacophony of moments we never leave? What if the most traumatic or the most beautiful experiences we have trap us in a kind of feedback loop, where at least some part of our minds remains obsessed, even as our bodies move on?”

It’s evening in late August when a private plane leaves Martha’s Vineyard for New York with 3 crew members and 8 passengers aboard. It should be a simple, short journey, but sixteen minutes into the flight, the plane crashes into the sea. Miraculously, the last minute passenger, Scott Burroughs, a failed painter who’s managed to overcome his drinking problem and is finally producing good, although deeply disturbing work, survives the crash. He swims ashore with the only other survivor–a four-year-old boy.

Noah Hawley’s powerful novel, Before the Fall looks at the aftermath of the crash. The plane carried some important passengers: the head of ALC media, multi-millionaire David Bateman, his wife Maggie, and their two children, Rachel and JJ. Also aboard was Ben Kipling, a partner at one of the largest Wall Street investment firms, and his wife, Sarah. Bateman and Kipling are two of the most powerful, wealthiest figures in New York, and the fact that they both die in the same crash, with Kipling about to be arrested for illegal trading sends the media into a feeding frenzy.

before the fall

Leading the charge for the media is Bateman’s ALC News. Bateman formed the 24 hour news station with the intention of “shaping the events of the day to fit the message of the network.” Morally unscrupulous Bill Cunningham is ALC’s rabid watchdog “an angry white guy with a withering wit.” Cunningham is ready to do whatever it takes to dig up the dirt he’s convinced will be found as the cause of the accident. He’s ready to exploit his relationship with the four-year old who survives the crash, and he’s happy to stir trouble between the boy’s aunt and her money-grubbing loser of a husband. Soon conspiracy theories about the downed plane morph into a sex scandal as Cunningham pulls out all the stops to create the story of the plane crash he wants to hear.

Cunningham was David’s gift to the world, the angry white man people invited into their living rooms to call bullshit at the world, to rail against a system that robbed us of everything we felt we deserved–the third-world countries that were taking our jobs. The politicians who were raising our taxes. Bill Cunningham, Mr. Straight Talk, Mr.Divine Righteousness, who sat in our living rooms and shared our pain, who told us what we wanted to hear, which was that the reason we were losing out on life was not that we were losers, but that someone was reaching into our pockets, our companies, our country and taking what was rightfully ours.

Bill Cunningham was the voice of ALC News and he had gone insane. He was Kurtz in the jungle

Chapters go back and forth between the current investigation of the crash and the poignant back stories of the crew and passengers who died on the plane. Each chapter becomes part of the puzzle that will solve the mystery of the crash. No one is irrelevant here–from the pilot, to the security guard for the Bateman family, to the troubled, yet sadly-resolved Sarah Kipling–all these stores matter.

Scott Burroughs, whose Disaster Art labels him a suspect in the eyes of the media and the FBI works with Gus Franklin from the National Transportation Safety Board to try to piece together the mystery of just what went wrong on the flight. Scott, with shredded memories of the crash, emerges from the plane disaster as a hero, but instead of embracing this fame, Scott, still traumatized by the crash, makes the ‘error’ of disregarding the media. He becomes a ‘mystery man’ with something to hide, and once the media gets its teeth into his troubled private life, Scott’s  existence becomes a nightmare. In the eyes of the media, Scott morphs from hero to “notorious womanizer and recovering alcoholic, a struggling artist who’s never been able to keep a single lasting relationship.” And while that may all be true, it should be irrelevant. But when news is presented as a highly salacious gossip mag, sensation and speculation sell more seats than the truth.

Before the Fall is a sensitively written, beautifully constructed, moral powerhouse of a novel. The subject matter, grabbed from today’s headlines, is presented as a gripping story which examines fate, human nature and media hype. Scott Burroughs is an amazing, yet credible creation, and while the media viciously decries Scott and questions the crash, Scott’s backstory: inspiration by Jack LaLanne, reinvigoration for a damaged life through swimming, and the private tragedy that haunts his art, all piece together to place this man logically in the story. The scenes between the media, Cunningham and Scott are brilliant. Scott, an unlikely hero but a moral human being, comes across as a more intelligent, unstoned version of Jeff Bridges’s portrayal of ‘The Dude’ in The Big Lebowksi.

Author Noah Hawley is the creator of the television series Fargo. Someone rush and grab the film rights.

Review copy


Filed under Fiction, Hawley Noah

Fearless by Rafael Yglesias

The discussion of the outsourcing of airline maintenance has crept into the news lately. Not exactly a reassuring scenario, and it certainly doesn’t encourage me to discard my deep attraction to train travel. Anyway, this seemed like an excellent time to turn to Fearless by Rafael Yglesias–the story of an airline accident and the fallout on the lives of those who survive. If the title sounds familiar, perhaps you’ve seen the 1993 film version featuring Jeff Bridges and Rosie Perez. I rather like Jeff Bridges, and his recent subversion of Rooster Cogburn in True Grit reinforces my opinion of him as an actor.

But back to the book….

Of course, since I’d seen the film years ago, I knew–more-or-less–what to expect. An airline crash is not a pleasant subject, and this is not a book you’d want to carry on a plane to read unless you have a sadomasochistic twist or you have a secret desire to get thrown off the plane for tormenting your fellow passengers with the topic.

Fearless begins with business partners, the owners of an architect firm, Max and Jeff flying from Newark, New Jersey to California for a business meeting. Max is terrified of flying. There always seems to be one person like Max on every flight. You can spot them by their nervousness, but Max is unusual for a fearful flyer as he’s delved into the subject of  airline disasters:

Thanks to his morbid study of air disasters he allowed himself to be panicked only during takeoff and landing. That psychological bargain was the best he could do to master his fear of flying.

But forty-two minutes into the flight, there’s “a dulled and yet definite explosion.” Things don’t immediately go wrong, but then the plane drops from the sky. There is a crash of course, but for the passengers strange things happen to their sensation of time in the approximately twenty-minute period from the first boom until the crash. Some things are etched in the memories of the survivors while other events are obscure or surreal. The terror felt by the passengers is visceral. Reading the book, gave me the sensation that I was watching the event–helpless to stop the plane’s horrific descent.

It really is a stroke of brilliance of the part of the author that he creates Max as a character with a strong flight phobia. Max has spent a considerable time dwelling on accident reports as if he wanted to face and understand his fears. Now in the middle of an imminent crash, all his past reading has made him an informed participant. While other passengers don’t understand what is happening, Max grasps every detail:

The plane found a ramp in the air and swooped up it, levelling. They were much lower, perhaps no more than ten thousand feet off the ground; Max didn’t know, he was guessing. He noticed that the right wing dipped and then rose abruptly, without the usual smooth sway. Instead the plane jerked like a drunkard stumbling on his way home, landing heavily on each foot, threatening to topple over, rescued only by an equally precarious tilt the opposite way. Max peered at the wings and saw the flaps were up. They had been in that position before the roll, and after it, and again before the sudden drop. They hadn’t moved. Their immobility probably wasn’t a choice made by the captain, more likely he had no control over them. If so, Max had read that meant they would eventually crash. He had read about the safety backups: everything was supposedly designed to prevent such a catastrophic failure. If somehow the impossible had occurred and the captain couldn’t steer, then they were doomed.

I read this passage and wondered if I would want Max’s knowledge of airline crashes if I were in his shoes….

There’s some irony to Max’s position. When he booked the flight, always nervous about flying and armed with research about plane crashes, he’d checked to see what sort of plane he and Jeff would be flying on:

Aware of the DC-10’s history of death, Max boarded this one only after losing a fight against doing so. Max, as usual, had been careful to phone ahead to find out what model plane was scheduled. He had been told their flight was on an L-1011. At the check-in counter (always making sure, always cautious) he casually asked again and was terrified the instant the agent said that the equipment for their flight had been changed from the safe L-1011 to this, the DC-10 deathtrap. Pulling at Jeff’s arm and whispering shyly, like a little kid coaxing a parent, Max argued to Jeff that they should wait for a later flight.

As the plane’s rapid uncontrolled descent continues, Max experiences a range of emotions: fear, of course, and then a peevish sort of glee that he was right about the plane. This is followed by a strange serenity as he lets go of his fear. If you’ve ever experienced this sort of sensation, then you never forget it, and the author captures Max’s state of mind perfectly.

I don’t think I’m giving away too much here, but a crash does occur, and Max becomes a hero of sorts known as the “Good Samaritan.” Max denies that he earned this title, and the novel’s surreal crash scenes leave some details deliberately vague. Following the crash, Max returns home, but he’s not the same Max. He’s survived and now “fearless” as the title implies. He strikes up relationships with two fellow survivors–a precocious child named Byron, and a young woman named Carla. He also becomes part of a lawsuit against the airlines, and this involves remembering the details of an event he’d rather forget.

Fearless presents a narrative challenge as the common presentation of events is inverted. Usually when the subject is disaster, the plot often builds up to the catastrophe with the denouement of who survived and who didn’t. It’s neither the fault of the novel nor the fault of the author that the sections of the novel that detail the crash are the most intense parts, but by the time the crash is over, I found myself committed to following Max’s actions as he begins acting rather bizarrely and has little patience with the emotional demands of his family.

Given the intensity of the descriptions–how the passengers felt, and the sensations they experienced (at one point the floor seems to give way), I have to conclude that the author, Rafael Yglesias must have interviewed survivors or at the very least read survivor accounts in order to convey the intensity of the minutes before the crash and then the lifetime of emotions that remain.

My copy came from Open Road Media by way of Netgalley and my Kindle.


Filed under Fiction, Yglesias Rafael