“Ostrichism–it’s the only rational philosophy of conduct.”
In Aldous Huxley’s novella, After the Fireworks, fifty-year-old bachelor, author Miles Fanning is in Rome for his annual stay in Rome with his “oldest friend,” Colin Judd, a man Fanning confesses that he doesn’t like, but still a man who is an asset. It’s through Fanning’s relationship with Judd that we first get a glimpse at this famous author’s character, and it’s not a particularly flattering portrait. Fanning uses Judd for his house in Rome, and because of the free accommodations, he’s willing to let the possessive Judd fuss over him.
Most of Judd’s competition is in the form of Fanning’s female fans, and Fanning, knowing this, has the habit of teasing Judd, provoking his friend’s jealousy.
He was having his revenge. Nothing upset poor Colin Judd so much as having to listen to talk about women or love. He had a horror of anything connected with the act, the mere thought, of sex.
Fanning has received a letter from a twenty-one-year-old fan, Pamela Tarn, who just happens to arrive in Rome. Fanning, who sometimes has affairs with his women fans, knows that Pamela is too young for him, and he knows that he shouldn’t take advantage of her youth or the fact that she worships him. Fanning is happy to flirt with Pamela as she’s an attractive girl with “impertinent little breasts,” and after all, it’s very flattering to have a young, beautiful girl hanging on his every word:
There was even something quite agreeable in resisting temptation; it had the charms of a strenuous and difficult sport. Like mountain climbing.
He mentions Pamela to an old, female friend, Dodo, a woman he contemplated having an affair with years earlier. She knew Pamela’s mother Clare, and according to Dodo, Clare, a mediocre woman, was a fantasist when it came to her GPs (grand passions) and so-called Caprices. It seems likely that Pamela, “vamping by correspondence,” may be a lot like her mother–a born groupie.
What she’s seen of the world she’s seen in her mother’s company. The worst guide imaginable, to judge from the child’s account. (Dead now, incidentally.) The sort of woman who could never live on top gear, so to speak-only at one or two imaginative removes from the facts. So that, in her company, what was nominally real life became actually just literature. Bad, inadequate Balzac in flesh and blood instead of genuine, good Balzac out of a set of nice green volumes
After the Fireworks is an interesting tale for its exploration of an author’s relationship with a particularly persistent fan. Fanning enjoys the attention from attractive female fans, and yet also cringes at the thought that anyone ‘understands’ him. He’s well aware that women read his books, identify with the heroines, and imagine that their lives are part of some sort of epic romance (sometimes with him in the picture). It’s a phenomenon known as “Miles Fanningism”
The plot contains some chapters with Pamela writing, rather immature observations about Fanning, in her diary, while inadvertently revealing her youth, inexperience, and unrealistic worship. After the Fireworks has a literal and figurative meaning with Fanning arguing, logically, in one particularly strong passage, why they shouldn’t engage in a love affair, but the problem is that Pamela won’t take no for an answer…
This could have been written as a tragedy (Anna Karenina is mentioned) but instead this is an excellent novella about human folly. Just because we know we shouldn’t do something, doesn’t mean that we will behave sensibly. The story had a Jamesion feel to it, and no doubt the location accentuated the connection.
This is one of three novellas published in a single volume. The others are Two or Three Graces and Uncle Spencer. I thoroughly enjoyed this tale and was pleasantly surprised by Huxley. Isn’t that a great cover?